Submissions for our Shakespeare anthology NO HOLDS BARD are due to close in a week’s time on 31 October, although we’re in a position to grant extensions if necessary. (We’d prefer to discuss this on an individual basis, so please get in touch with us if you feel this may apply to you.)
At the time of writing, we have space for a few more stories – it’s been our experience that anthologies tend to fill up at the last minute! – so if we haven’t already heard from you but you think you may have something to contribute we’d be delighted to know about it. Less-popular plays and characters are always welcome, but if you’re inspired in any direction by the thought of queering Shakespeare’s work please tell us about your plans: after all, the more the merrier!
Plays covered so far include TWELFTH NIGHT, THE TAMING OF THE SHREW, THE TEMPEST and TWO NOBLE KINSMEN (yes, all the ‘T’s – TITUS ANDRONICUS, anyone? TROILUS AND CRESSIDA?) but there are still several of the ‘biggies’ outstanding; we have no HAMLET, no ROMEO AND JULIET, no OTHELLO …
We look forward to hearing from authors who think they may have short stories suitable to add to our collection … and in case it helps you to decide, we’ll reiterate that this is a *paid* anthology and you will be offered a fee for your work. Follow the link above for further details!
Before we wow you tomorrow with news of our three newest titles, due to be published on 1 November, here’s a gentle reminder for all our author friends who are (we fondly hope!) merrily dipping goose-quills into oak-gall ink and scratching away industriously in attics by the light of guttering candles even as we speak…
Well, we may possibly be getting slightly carried away, but we know you’re out there!
Just in case there are any ‘undecideds’ among our number, though, this is a good moment to remind everyone that submissions for our Shakespeare anthology NO HOLDS BARD are due to close on 31 October. (We’ll probably be in a position to grant extensions if necessary, but we’d prefer to discuss this on an individual basis so please get in touch with us if you feel this may apply to you.)
At the time of writing this, we have space for a few more stories – it’s been our experience that anthologies fill up at the last minute! – so if we haven’t already heard from you but you think you may have something to contribute we’d be absolutely delighted to know about it. Less-popular plays and characters are always welcome, but if you’re inspired in any direction by the thought of queering Shakespeare’s work please get in touch and tell us about your plans: after all, the more the merrier!
At the risk of ‘shooting ourselves in the foot’, we feel we should pass on news of an exciting opportunity for those who write Shakespeare fiction. Our good friend Lou Faulkner has drawn our attention to a competition for new plays which ‘vibe off’ the Bard’s oeuvre, and which this article thinks (and we agree) could access some previously untapped talent in the fanfiction genre. The mention of “massive works queering the reign of Henry the Fifth” caused a certain amount of nonchalant whistling and staring into space, both here at Megaheadquarters and elsewhere in the Manifold Press diaspora…
Our World War 2 anthology CALL TO ARMS is well underway, on course for the planned release date of 1 November 2017 – but we couldn’t resist acknowledging The Birthday by announcing the anthology scheduled next:
Modern LGBTQIA fiction inspired by the works of William Shakespeare
The world’s mine oyster
Which I with sword will open.
The Merry Wives of Windsor, Act 2 Scene 2
For our next anthology project, Manifold Press is looking for short fiction inspired by the vast and varied output of William Shakespeare – the plays, the sonnets, and even the ‘lost’ or disputed works – featuring LGBTQIA people as the main characters.
Want to tell us about the love lives of Hamlet and Horatio, Viola and Olivia, Antonio and Sebastian, Achilles and Patroclus? We want to read it! How about Kent’s devotion to Lear, Iago’s to Othello, Mercutio’s to Romeo, Nerissa’s to Portia? Turn the stories inside-out and show us how they could (or should) have ended! Gender-bend any character(s) you choose, mix them up in combinations of two or more, let your imagination run amuck!
And what about the unknown actors who’ve played these roles over the years, the directors who’ve supported them, the scholars and students who’ve given their lives to the study of Shakespeare? We’d love to see something of them, too, whether they’re academics or Hollywood stars, am-dram enthusiasts or soldiers reading sonnets in their dugouts. Set your story in Verona, Elsinore, Glasgow, New York, or even in the depths of space, and we’ll be with you all the way – in short, to coin a phrase, if music be the food of love, play on!
- Editor: Fiona Pickles
- All stories need to stand alone, whether or not they relate to any existing work.
- Sexual encounters are welcome, and can be explicit, but we love a focus on character and story.
- Story length: Between 3,000 and 10,000 words.
- Authors will be paid a flat fee based on the final word count of their contribution.
- Submission deadline: 31 October 2017
- Planned publication date: 1 May 2018
- Enquiries and submissions to: email@example.com
- Click here for a PDF version of this page.
- Unlike some of our previous anthologies, this is not a charity project.
- Characters should be adults, and for our purposes Shakespeare wrote Shakespeare!