An author guest blog by Adam Fitzroy
The book that eventually became MAKE DO AND MEND started out very differently. It was originally going to be about four brothers, living on a not-entirely-successful family farm in Wales, fighting off a land-grab from a consortium that wanted to build a golf-course – and it was emphatically going to be taking place in the ‘present day’. However some elements of the story were in place even then; there would be conflict between the two elder brothers because Two was a nasty resentful piece of work and would undermine everything One was attempting to do, but Three and Four would turn out to be – perhaps to their own astonishment – good and sensible men who could be relied on in a crisis. There would also be a mysterious stranger to the village, a quiet, dignified older man, who would draw the attention of the hitherto flighty One and with whom he would eventually form a romantic relationship. Two and Three would be firmly heterosexual; Four’s preferences were still unknown.
I hadn’t written any of this before the plan changed dramatically. I’d been thinking about it and discussing it with friends for some considerable time, but there was something about it that just wasn’t gelling in my head. I don’t know, now, precisely what it was that prompted the change of direction, but one day it suddenly occurred to me that setting it during the Second World War would make it a more interesting project and radically change the dynamics of the situation. For one thing, there was huge pressure to produce food and other necessities for the war effort (flax, wood, etc.) so that even a farm that was struggling beforehand would enjoy a period of relative prosperity. For another, it would enable One to have a perspective on life and love that didn’t just revolve around the narrow confines of his familiar Welsh valley.
The valley itself was one of the constants. Being a regular traveller on trains between Newport and Chester, I’d always been intrigued by a village north of Abergavenny. There ought to be a station there, I thought, so that I could get out and explore – but there wasn’t. So I did my initial exploring online and on the OS map, and eventually managed to tour the area by car as well. I found the perfect site for the house, which ended up being called Hendra, but what was there was less prepossessing than I had in mind. Therefore, in a move I’m sure English Heritage would deplore, I picked up Stokesay Castle, made some alterations to its layout, and transported it a little matter of fifty miles down the road. I tacked on a somewhat rickety Home Farm a short distance away, and a couple of quarrymen’s cottages higher up the hill, and that was that – I had my location!
The joy of writing something like this is the research. Wanting a box-bed for Jim’s cottage I found just the thing online, which turned out to be in a rural museum on Orkney. Years later I got to meet it in person … and that was the trip which ended up inspiring IN DEEP. I also managed to fit in a visit to Western Approaches Command and chose one of its mysterious closed doors to be Harry’s decoding office. (I have no idea what was really behind it; it could have been a store-room or a doorway into Hades for all I know!) When I decided to make Jim a conscientious objector – because I’ve never forgotten the Dad’s Army episode in which Godfrey is revealed to be a conscientious objector – I researched the Peace Pledge Union, their white poppies, and the advocacy work they did. I hope that if I was ever in the position of being ordered to fight (unlikely now, given my age!) I would have the courage not simply to do as I was told but to say that I thought it was wrong and find another way of serving instead.
I could go on. The hotel in Liverpool exists, and has been the scene of numerous fannish conventions. The pub where Harry lodges sort-of exists; there is a pub there, but I transported a building in from another location because I liked it better. The road over Sermon Pass is a real road now, but at the time the book is set it was little more than a track. And as for Birkenhead Park … it’s a jewel, and was reputedly the model for Central Park in New York.
There are, of course, loose ends in MAKE DO AND MEND. Jack (Three) will stay at Hendra, married to Kitty, and their children will farm there in their turn. Thomas (Two) is likely to move away after the War, to some place where his predictable lack of success will be less visible to his family and he can be the person of importance he so clearly thinks he is. Harry (One) will emigrate, Jim at his side, to a country where nobody will care who they were before – possibly Canada. Jim will write books and teach; Harry will no doubt go into broadcasting in some capacity. They won’t be rich, but they’ll be happy. As for Freddie (Four), his future is more opaque; there is, somewhere in the back of my mind, a whole new set of adventures for him – one of which I’m hoping will coalesce into a short story for Manifold Press’s World War Two anthology CALL TO ARMS. In fact it would be fair to say that I have no idea, at the moment, precisely what happens to Freddie, but I’m very much looking forward to finding out!
[Oh, and the land-grabby golf-course-builders may well make an appearance at some point, too… ]