A guest blog
by Heloise West
Julie Bozza asked us to talk about the love we have for our novels—I had to give ARDENT a re-read in order to capture the ghost of that feeling again, but it’s there, buried beneath the layers of paint and plot twists.
I loved creating these characters, watching them come to life, and it’s challenging working within the historical context. We always ask what a character wants when we start this journey, and, in general, they want what we all want. To be happy. But every character’s definition of happiness is different, an expression of that person’s core qualities.
Morello is the simpler of the three main characters. Art is his love, his family, but not having had a home or a family to call his own, he yearns for that, too, and for someone to share it with him. He is as honest as he can be; he wears his heart on his sleeve. His journey to happiness is the hard work of loving, supporting, and waiting for Benedetto, though it’s a trial that affects him on a professional level. When he had no love, at least he had art, and loving Benedetto has endangered his reputation.
Benedetto, I’m afraid, doesn’t have his best moments in the beginning of the book, but I think he redeems himself. His evasions, theft, and regret hide a passionate, loving nature. His journey to happiness lies in revealing the truth and dealing with the consequences, and loving Morello the way he deserves to be loved.
Leo, like Morello, is honest about his emotions and his desires. He doesn’t want to hurt anyone because of his affairs, but he remains true to his wandering, lustful nature. He looked out for Benedetto as an elder brother would when they were younger, taught him all he knew about art, allowed Benedetto to manage him, and taught him to love. The only lesson Benedetto couldn’t learn from him was the art of letting go.
It’s an odd triangle, considering one of these characters is absent for most of the story, though his influence is felt throughout.
The character of Falcone at first was just a thug with an uglier name, but weirdly, he showed up at the palazzo where Leo had died and soon became more fully realized, an important plot point of the story. An orphan like Morello, he did not have the kind local priest to raise him, but the mean streets of Florence. I do love my darker characters and one my favorite scenes is the confrontation between Falcone and Benedetto when Falcone needs help fleeing the city. I’d love to write Falcone’s story, about how he finds himself loved and redeemed.
(It’s Julie here, chiming in to say oh how I do pine for that companion volume exploring Falcone’s story. How intriguing that would be! Well, in the meantime, we still have ARDENT to treasure…)
Manifold Press is currently offering five of our recent novels – including ARDENT – at discount prices on Smashwords. Follow these links, and then click the Buy with coupon buttons for the books of your choice. (Whether you then click the Give as a gift button is entirely up to you, but hey it is the silly season soon!)