NO HOLDS BARD on St George’s Day!

23 April is St George’s Day, the day we celebrate the patron saint of England and the birth of Shakespeare. It’s no coincidence that Manifold Press is just about to release our Shakespeare-inspired anthology, NO HOLDS BARD.

We’re glowingly proud of how this collection of stories has come together, burgeoning with intriguing ideas both weird and wonderful – and we’re very much looking forward to knowing what you think of it all, too!

It’s only a week now until release day on May Day. In the meantime, as The Man Himself said, “Cry God for Harry, England, and Saint George!” (We’ll return to our usual, somewhat less partisan selves on the morrow, I promise.)


NO HOLDS BARD
Modern LGBTQ+ fiction inspired by the works of William Shakespeare

Ten authors, twelve extraordinary stories. From a novel solution to the Plantagenet succession crisis to revelations about the private lives of Prince Hal and – separately! – Brutus and Cassius, plus a surprise ending for Twelfth Night, no play is safe. We have marriage proposals and murder; subtle scheming villainy; a missing manuscript; a haunting… Whether set within the framework of a play, or spotlighting actors, characters, or the Bard himself, these stories will have you viewing Shakespeare in a whole new light. It’s definitely not the kind of thing they taught us in school…

Take a deep breath. Dive in. Prepare to be astonished!

An anthology edited by Fiona Pickles and featuring authors:

  • Julie Bozza
  • Siobhan Dunlop
  • Adam Fitzroy
  • Bryn Hammond
  • Erin Horáková
  • Molly Katz
  • Vanessa Mulberry
  • Eleanor Musgrove
  • Michelle Peart
  • Jay Lewis Taylor

67000 words/262 pages
$5.95

Publication 1 May 2018

Amazon US pre-order link

Amazon UK pre-order link 

Smashwords link

Barnes & Noble pre-order link

Kobo pre-order link

THE STORIES

Couched in a Curious Bed
Erin Horáková
Having lost his youngest son, a shaken but still-living York is determined to bring the War of the Roses to a swift end – preferably one that will benefit his family. The Lancastrian queen and heir are dead, and, medieval diplomacy being what it is, the best hope for peace lies in a highly unexpected royal marriage.

The Lord and Christopher Sly
Vanessa Mulberry
Christopher Sly is a wastrel with nothing to his name but a handsome face, but he’s always intrigued the local Lord. When he finds Sly drunk outside an inn, the Lord decides to play a trick on him and give him a taste of a better life.

In Fair Verona
Julie Bozza
Adventures naturally befall Lord Byron while he travels through Europe, but all are deliciously surpassed when he is visited by an apparition in the book-lined parlour of an old palazzo in Verona.

Under the Veil of Wildness
Adam Fitzroy
It isn’t only contemplation that Hal’s obscured under the veil of wildness; also growing like the summer grass, wildest at night, is another personality – a female one, Arietta. When a French spy discovers Hal’s secret, trouble follows – but the sequence of events is not what either of them had been expecting…

Imitate The Sun
Siobhan Dunlop
Young actor Niamh Valentine is cast as Poins in an all-female production of Henry IV. The infamous Jessica Condell is playing Hal. Soon Niamh is balancing Hal and Poins’ relationship with hers and Jessica’s whilst preparing for opening night.

Lost
Michelle Peart
Jonas has given up everything in his relentless search for William Shakespeare’s lost plays. Now, in the tunnels under the Kremlin, they are within his grasp. Or are they?

But That He Sees The Romans Are But Sheep
Molly Katz
The nights Cassius and Brutus spend together as wolves have been growing fewer and farther between. Cassius is lonely for the man he’s loved since his youth – lonely and angry – and things must not continue as they are.

In A Dark House
Julie Bozza
Couples coalesce in happiness, while the lone ones are cast adrift… Feste is glad to see the back of Sir Andrew, is tempted to follow Antonio, a man of his own nature – but surprises even himself when instead he starts to search for the vengeful Malvolio.

Now You See Him, Now You Don’t
Adam Fitzroy
“You old romantic! Trust you to propose over a dead body – ” When obnoxious billionaire Duncan Moon is murdered in a Scottish country house hotel, investigating police officers Mal and Shawn find themselves curiously in sympathy with the killer… or killers…

My Mistress’ Eyes
Eleanor Musgrove
In a tender domestic moment with her high-flying girlfriend, Lexi, Jasmine reflects on their relationship. A flattering request from a local festival leads her to take inspiration from the Bard himself as she searches for the right words to ask a very important question.

After the Storm
Jay Lewis Taylor
An isolated farm in the borderlands. A circus whose horses bear the names of gods, whose chief attraction is the Aërial Curiosity. But the show is over; the showmaster is taking his daughter away to be married, and leaving the Aërial Curiosity behind – or is he?

The Last Play
Bryn Hammond
Shakespeare has written his last play – or most of it – as he faces retirement from the stage and from London. But he has one last thing to say to his public. If he has the courage.

How I ended up IN DEEP

A guest blog post by Adam Fitzroy

To celebrate the paperback edition of IN DEEP, which is published today, I thought you might be interested to hear a little bit about how it came to be written.

I didn’t grow up wanting to write M/M relationship stories; I grew up wanting to write crime. In fact, I think a thorough grounding in the logic of crime fiction works well for any author; it’s a huge help to be able to analyse cause and effect, or the consequences of characters’ actions, whether you start with a ‘beginning idea’ and work away from it, or with an ‘end idea’ and work towards it. And crime fiction, of course, has recognisable rules – although it’s quite possible to subvert or undermine them on occasion.

I started reading detective fiction as a child with Holmes, Poirot, Lord Peter Wimsey and Ellery Queen, then worked my way through Brother Cadfael, Falco, Baldi, McLevy and Charles Paris, and I’m currently enjoying the Albert Campion books. TV and radio added Ironside, Kojak, Bergerac, Wallander, Martin Beck, the Endeavour/Morse/Lewis arc, Dalziel and Pascoe, Shetland, Broadchurch, Inspector Wexford, and of course Z-Cars and The Bill. From all these I learned that two things are important in detective fiction; the detective must be likeable (although not necessarily all the time) and the setting must be interesting. The trend towards ‘Nordic noir’ suited me perfectly, since I’ve always enjoyed places that were slightly run-down and depressing – seaside towns in winter, plush hotels past their best, Victorian railway stations with buddleia and rosebay willowherb growing out of the roof. (Woe betide the well-meaning Civic Society that cleans up or, worse, demolishes one of my favourite tatty old buildings!)

Truly, crime fiction and Orkney were made for each other. It’s Britain without being Britain – there’s no Starbucks, no Domino’s, hardly any supermarkets. TV and mobile reception are variable, there’s precisely one cinema, and sport is something you do rather than something you watch. The further away from the mainland you get, the smaller the communities become – and the more versatile individuals have to be. They pilot the lifeboat, deliver the post, paint or tile each other’s houses, and still find time to play accordion in the pub twice a week and deliver a sermon on Sunday. Imagine how something as shattering as a murder would work in a small community like that; imagine how it would undermine relationships, upset the balance and leave people feeling wounded and betrayed.

The story that eventually became IN DEEP grew out of a very tiny seed – watching a light plane land on a grass airstrip on Lamb Holm. I was also mildly irritated by the Shetland TV series’s insistence that officers from outside cannot possibly understand the islands and will make no attempt to adapt to their surroundings. This sets up an uncomfortable – and artificial – ‘us–v–them’ dichotomy, whereas I have never understood why a well-intentioned outsider shouldn’t be able to adapt to conditions in the islands rather than trying to make the islands adapt to him. That was what I wanted my detective to do – to blend in, not make any enemies, and to learn from the local people rather than throwing his weight about.

So there you have it – this story started with a seed, plus irritation. Whether or not IN DEEP is actually a pearl is not for me to say, but certainly something grew out of those very small and unpromising beginnings – and I have to admit that I’m actually rather proud of the result!

We’re giving away two copies of the paperback edition of IN DEEP. Please enter via our giveaway form. The draw will be made on Sunday 22 April, after which we’ll contact the winners directly to ask for a postal address. Good luck, everyone!

Announcing our three new titles for 1 May!

We are very excited by our three offerings for your spring / autumn reading pleasure! We are honoured to be publishing new work from Jay Lewis Taylor and the award-winning Barry Brennessel, as well as our new Shakespeare-inspired anthology. These can all be pre-ordered now, and will be available on 1 May.


We weren’t alone in wanting to know more about the fascinating characters and setting of Barry Brennessel’s short story in our Great War anthology A PRIDE OF POPPIES, so we know we won’t be the only ones thrilled to read his ANH SANG novella. This expands and significantly develops the original story, in surprising and intriguing ways.

Barry has also adapted the story into a screenplay, which has won recognition in prestigious screenwriting contests. We’re proud as punch to be playing a small role in bringing you this tale!

Pre-order links for ANH SANG:


From Jay Lewis Taylor we have the story WHERE ANGELS FEAR, in which Richard, invalided home from the Navy, meets Les, a Lancaster bomber pilot still serving with the RAF. This story ranges from the intimately personal to the internationally significant, in carefully considering how war affects those most closely involved.

This volume also contains another story, THE MAN WHO CAME TO DINNER.

Pre-order links for WHERE ANGELS FEAR:


Following up on the success of our Austen-inspired anthology, we’re delighted to bring you NO HOLDS BARD, which takes its inspiration from Shakespeare and his works – and then runs off in several directions at once. Editor Fiona Pickles is thrilled by the variety brought to you by the ten authors, some already familiar to the Press and others new to us:

  • Julie Bozza
  • Siobhan Dunlop
  • Adam Fitzroy
  • Bryn Hammond
  • Erin Horakova
  • Molly Katz
  • Vanessa Mulberry
  • Eleanor Musgrove
  • Michelle Peart
  • Jay Lewis Taylor

Pre-order links for NO HOLDS BARD:


Three books which are absolutely perfect to curl up with, no matter what the weather!

The Refugee Council

A guest post by editor Fiona Pickles

As those who were involved in preparing our charity anthology CALL TO ARMS – and, hopefully, also those who bought copies and enjoyed them – may remember, all the proceeds from the sale of this volume go directly to the Refugee Council. We sent them their first ‘royalty payment’ at the end of February, and in return they kindly sent us a letter of thanks and a copy of their ‘Impact Report’ for 2016-17 to enable us to see where our contribution is likely to be spent.

Not only is it nice to be acknowledged by such busy people, it’s also very valuable to have some sort of picture of the work they do. On the whole we could probably have guessed most of it, but there were a few highlights which stood out and captured my imagination, so I thought I would pass those on to you.

In 2016-17, the Refugee Council supported 7,522 refugees and asylum seekers and 3,318 unaccompanied children. They helped 97 young people who had been trafficked – 77 girls and 20 boys. They pushed for refugee status and resettlement funding for Syrian refugees, enabling them to attend university in the UK – and also to apply for passports, so that they can travel abroad to see their families.

They support refugee children whose age is disputed, who are sometimes treated by default as adults and therefore put into unsuitable accommodation; they provide them with language teaching, help with socialisation, access to sports facilities and homework support. They also provide psychotherapeutic services for children and young people, and training and support for foster carers.

In addition to helping refugees with documentation and legal services and steering them towards suitable work and accommodation, they have helped a number of refugee doctors to retrain and requalify so that they can be employed in the NHS. It’s difficult to imagine anything more closely resembling a win-win scenario than this!

There is, too, an extensive programme assisting and supporting destitute asylum seekers who are otherwise forced to rely on the standard asylum support payment of £5.00 per day (about $7.00 US) – intended to cover food, clothes, toiletries, travel and in fact everything else the individual may require. The Refugee Council provides hot meals, showers, laundry and barbering facilities and – perhaps even more importantly – moral support and social opportunities for people who must at times feel very isolated by their position.

In fact, it probably doesn’t take too much imagination to put oneself into the position of an asylum seeker or refugee, hundreds or perhaps thousands of miles from home in a country where the weather, the language, the customs, the clothes and just about everything else are not only unfamiliar but potentially quite terrifying. Getting away from the threats, the violence, the famine or the fear in their home country and making a difficult journey half-way around the world is only the beginning of the story for them. Once they arrive in the UK, however, the Refugee Council is – together with Oxfam, Amnesty International UK, the British Red Cross and a number of other organisations with dovetailing remits – right there in the front line of people stepping up to welcome them and help them to settle in.

All in all, then, it’s difficult to think of a better use for our “ill-gotten gains” than to support the Refugee Council in their sterling efforts, and we look forward to sending them further payments every three months throughout what we hope will be the long lifetime of CALL TO ARMS.

You can find more information about the work of the Refugee Council on their website.

We’d like to thank anthology editor Heloise Mezen for nominating the Refugee Council as our chosen charity, and for undertaking all the initial discussions with them. Take a bow, Heloise; none of this would have been possible without you!

New reviews of A TIME TO KEEP, CALL TO ARMS

Once more we’re indebted to our friends over at the Historical Novel Society for some hugely encouraging reviews of our output. HNS reviewer Viviane Crystal has been considering two of our more recent publications, with highly gratifying results:

Speaking of Morgan Cheshire’s A TIME TO KEEP, the reviewer clearly enjoyed the author’s gentle tone:

This story of their love is depicted in serene, peaceful ways, highlighting the normalcy of their relationship

and concludes by calling it “[n]icely crafted historical fiction“, with which we can only concur!

The reviewer was also impressed with our Second World War anthology CALL TO ARMS, singling out some stories for individual mention – such as Megan Reddaway’s ‘The Man Who Loved Pigs’ and Julie Bozza’s ‘We Live Without A Future’ – before concluding that the book as a whole is “An interesting […] and memorably inspiring body of historical fiction.

Coming from someone who presumably by definition reads a great deal of historical fiction, this is quite an accolade – and one we’re immensely pleased with.

Thank you so much, Viviane Crystal and the HNS! We’re thrilled that you enjoyed our books so much, and grateful that you took the time to let us know!

Some books just happen

A guest blog post by Adam Fitzroy

THE BRIDGE ON THE RIVER WYE happened all by itself, over a very short period in 2013. As has occasionally been the case with Manifold Press, our editors found they had a vacant publishing slot for February when another project was delayed, and asked around for anything that might be completed quickly enough to take its place. I’d been floundering for a while, trying to decide between competing story ideas, but this gave me the impetus I needed to get off my backside; I had a piece of fan-fiction ripe for redevelopment, and I pulled it down off the shelf and took a fresh look at it.

I’m not remotely embarrassed to admit that this particular book was originally fan-fiction, and the reason is this: as soon as I started to rewrite it, it completely took on a life of its own. In fact, it’s so very different that the original story is actually still online somewhere – and I defy anyone to come up with the name of the TV show it was based on. (Entertaining guesses will be welcomed!)

What happened after that is all a bit of a blur. The basic plot featured a character stepping in to take over the farm of a brother who’d died in mysterious circumstances, inheriting responsibility for his brother’s family (and debts) at the same time. He would then meet up with an old flame/passing love interest, and they’d rekindle their relationship while working for a shared objective. This, basically, is all the book has in common with its fan-fictional progenitor! Anyway, the fact that I’d been watching rather too many cooking shows on TV guaranteed that there would be a chef or chefs involved somehow, and historical research I’d done for another project gave me a location – not a million miles from the setting for MAKE DO AND MEND, as it happens. If you ever look at a map of the River Wye, you’ll see that there’s a large lazy bend in it with the villages of Welsh Bicknor and English Bicknor on opposite sides. There are, too, several derelict bridges along that stretch that used to carry railway lines but have been allowed to decay for a hundred years or more – they’re quite spectacular, but probably very dangerous to cross.

Also, when I was writing the book, gangmasters and illegal immigrants were much in the news; one company was revealed to be housing migrant workers in a ‘temporary village’ in its fields – a situation which only became apparent when they applied for planning permission to build them a cinema. Friction between a small, independent organic farmer – with good intentions but little money – and a large dominant agri-business with massive resources but questionable ethics, made for a good conflict scenario, which becomes more powerful still if the large dominant agri-business happens to be boosting its profits by employing undocumented workers and housing them in sub-standard conditions. So, in essence, what I ended up with was David versus Goliath – with a side order of organic mange-tout!

Fleshing out the minor characters was one of the most enjoyable parts of the process. They always start off as people needed for a specific purpose – to deliver a piece of information, or to be knocked out (or off!) so that someone has to take their place – but the moment you start thinking about who they are and why they’re in the place you need them to be they begin to grow all by themselves. One such was Sharon, the police officer who guides the characters through the latter part of the story. I’d been on a bus once when an unruly passenger started acting up – and, after a few minutes of suffering in silence, the (stunningly-dressed – I think she was on her way to a wedding) woman in the seat in front of me got up, leaned over, quietly produced her warrant card and said, in effect, “Look, I’m off duty at the moment but it would only take one phone call. Shut up, or get arrested.” He chose to shut up.

I have no idea who the woman was, but she stayed in my mind – largely because I would never have looked at her in her finery and thought ‘police officer’. She stepped out of her civilian life just for a moment, did her job, and then stepped back. That intrigued me, and Sharon was the result; she doesn’t actually look like a copper at all, and she’s all the more effective for that reason.

I had a lot of fun, too, writing Rupert’s friends Gary and Steve. (Minuscule clue there to the series of origin!) Believe me, I researched their apartment very thoroughly; I’ve seen the view from their balcony and it’s wonderful. I’ve also stayed at the hotel where Jake and Rupert had their rudely interrupted night of passion – and yes, you can hire a car at Victoria in the middle of the night, but I bet it costs a small fortune!

So I think what I’m trying to say is that this was a book that – as Rumer Godden apparently used to say – was ‘vouchsafed’. It dropped into my lap almost fully-formed, precisely when I needed it, and I wrote it very quickly to fill a need. Everything clicked into place smoothly, and it was one of the most enjoyable writing experiences I’ve ever had. I wish more books would ‘happen’ like that, but I mustn’t be greedy; I’m just grateful that THE BRIDGE ON THE RIVER WYE* came along at all, and particularly just when it did!

*PS: I can take no credit for the title. I stole it, as I should have made clear in the book itself, from an episode of the short-lived (but absolutely excellent) TV series Extreme Archaeology.

Santa Baby, slip a paperback (or two) under the tree…

Life having slightly got the better of us here at Manifold Press lately, we’ve unfortunately missed a couple of opportunities to bring new paperback editions of some of our titles to your attention. Today, however, with the launch of the paperback version of Morgan Cheshire’s A TIME TO KEEP, we have an opportunity to put that right. So, out with your time-turner (or, if you prefer, hop into your blue Police box) and let’s take a brief trip back to May 2016!

 

Adam Fitzroy’s THE BRIDGE ON THE RIVER WYE sneaked out in paperback a good eighteen months ago, and we completely forgot to mention it at the time! It’s the modest little tale of an organic farmer, the obligations he’s inherited from his dead brother, and the return of a long-lost friend who seems determined to share his burden. Join Rupert, Jake, and their assorted family and friends as they investigate a series of mysterious occurrences on an isolated Welsh land-holding, and juggle with the demands of an irascible TV chef!

 

F.M. Parkinson’s THE WALLED GARDEN is really too well-mannered a book to make a great fuss about itself, but for those who enjoy Dickens, Mrs Gaskell, the Brontes and other authors of the period who tell a story slowly and with masses of corroborative detail the new paperback version will be a welcome addition to their library. When William Ashton is employed as Edward Hillier’s gardener he is attracted to his master but – in an unforgiving social climate – love is slow to blossom, albeit lasting when it does.

 

Morgan Cheshire’s A TIME TO KEEP is another of her trademark gentle love stories, this time taking place in the years immediately surrounding the First World War. Two workhouse boys in love, Ben and Matthew, make their tentative way in the world, determined only to stay together. Ben secures employment on a farm, Matthew becomes an assistant lock-keeper on a busy canal. When war comes, however, their hopes are crushed, and Matthew must continue alone – until, that is, the providential arrival of a stranger gives him something new to hope for.

 

We love all three of these books, and we’re delighted to see them in paperback form; there’s loads of good reading here for the long winter evenings, and they’re just the thing to slip into someone’s Christmas stocking … or, indeed, your own!

New review of CALL TO ARMS

In fact this is the very first review of our new anthology CALL TO ARMS – and it’s not a bad way to start! Our good friend Kazza K at On Top Down Under Reviews has posted a hugely enthusiastic review which examines the merits of each individual story – no small task, as there are seventeen of them! – and sums up with these resounding words:

“I really do love a good short story. If you can tell me a heartfelt tale in a limited word count I am in total awe, and that mission was well and truly accomplished. I also want to give mention to Heloise Mezen for meticulously compiling the anthology. I can’t recommend Call to Arms highly enough. 5 Stars!”

In return, we can say that we love a detailed review which lets us know when a book has met an appreciative reader: thank you, Kazza, we’re grateful for all the time and thought that went into your review – and very glad indeed that you enjoyed CALL TO ARMS so much!

New titles released today!

Our three wonderful new titles are available now! We trust you’ll love them as much as we do.


Farah Mendlesohn is well established as a historian and critic, so the Press was delighted to have the opportunity of publishing her debut novel SPRING FLOWERING.

This historical romance is an immersive look into a changing world. Ann Gray has been mistress of her father’s parsonage in a quiet country village. After he dies she finds herself in the bustling commercial city of Birmingham, living with her uncle, aunt and cousins. How can she regain her independence and sense of purpose once her period of mourning is over? Ann encourages cousin Louisa’s interest in the family’s manufacturing business, but is that an occupation Ann would enjoy? She might encourage the new parson Mr. Morden to propose marriage. Or she might become companion to the enticingly daring widow Mrs. King. Whatever she chooses, we’re sure you’ll enjoy accompanying Ann on her journey.

Buy links: Amazon US; Amazon UK; Smashwords. Also available from Apple, Barnes & Noble, and Kobo.


Manifold Press’s resourceful fact-checker and problem-solver Heloise Mezen has served as editor for our Second World War anthology CALL TO ARMS.

This is a companion volume to our well-received charity volume on the Great War, A PRIDE OF POPPIES. All proceeds this time are going to the British Refugee Council (Registered Charity No. 1014576).

This anthology has again attracted a deeply talented group of authors. The seventeen stories take the reader far and wide – through Britain, Europe, Asia and South America – and introduce (occasionally re-introduce) a wonderful range of characters. We’re sure you’ll find plenty in here to love.

Buy links: Amazon US; Amazon UK; Smashwords. Also available from Apple, Barnes & Noble, CreateSpace and Kobo. Available in both eBook and paperback formats!


As many of us know by now, Elin Gregory is a superb storyteller, and we are sure her CALON LAN will not disappoint.

With the war being waged in Europe, it is vital that farming and other essential occupations continue at home – but there is increasing pressure on everyone, and the world feels as out of control as the weather. Bethan and Nye Harrhy manage their farm as best they can with the help of Bethan’s brother Alwyn, injured during his service in the trenches. When Alwyn asks his friend Joe to come live with them, Bethan assumes that another pair of hands will help rather than hinder … or is she being a bit naive?

Buy links: Amazon US; Amazon UK; Smashwords. Also available from Apple, Barnes & Noble, and Kobo.

ESPRESSO SHOTS is an informal imprint which features long stories and novellas. If you want to read more about this imprint, please check out our blog post. The cover image is the same for all titles, so we chose an image that evokes the comforts – and the stimulations – of the reading experience itself.


We are absolutely sure you’ll find something – or many things – for your reading pleasure here!

Please join us if you can for a Q+A on Facebook – about these books, books in general, and all things LGBTQ+ – on Sunday 5 November, at 17:00 UK time! Click the link and let us know you’re interested. We’d love to chat with you.

New titles for 1 November announced today!

We’re delighted to announce three wonderful new titles – available for pre-order now, and available on 1 November!


Farah Mendlesohn is well established as a historian and critic, so the Press was delighted to have the opportunity of publishing her debut novel SPRING FLOWERING.

This historical romance is an immersive look into a changing world. Ann Gray has been mistress of her father’s parsonage in a quiet country village. After he dies she finds herself in the bustling commercial city of Birmingham, living with her uncle, aunt and cousins. How can she regain her independence and sense of purpose once her period of mourning is over? Ann encourages cousin Louisa’s interest in the family’s manufacturing business, but is that an occupation Ann would enjoy? She might encourage the new parson Mr. Morden to propose marriage. Or she might become companion to the enticingly daring widow Mrs. King. Whatever she chooses, we’re sure you’ll enjoy accompanying Ann on her journey.

Pre-order links: Amazon US; Amazon UK; Smashwords. Also available as a pre-order via Apple, Barnes & Noble, and Kobo.


Manifold Press’s resourceful fact-checker and problem-solver Heloise Mezen has served as editor for our Second World War anthology CALL TO ARMS.

This is a companion volume to our well-received charity volume on the Great War, A PRIDE OF POPPIES. All proceeds this time are going to the British Refugee Council (Registered Charity No. 1014576).

This anthology has again attracted a deeply talented group of authors. The seventeen stories take the reader far and wide – through Britain, Europe, Asia and South America – and introduce (occasionally re-introduce) a wonderful range of characters. We’re sure you’ll find plenty in here to love.

Pre-order links: Amazon US; Amazon UK; Smashwords. Also available as a pre-order via Apple, Barnes & Noble, and Kobo.


As many of us know by now, Elin Gregory is a superb storyteller, and we are sure her CALON LAN will not disappoint.

With the war being waged in Europe, it is vital that farming and other essential occupations continue at home – but there is increasing pressure on everyone, and the world feels as out of control as the weather. Bethan and Nye Harrhy manage their farm as best they can with the help of Bethan’s brother Alwyn, injured during his service in the trenches. When Alwyn asks his friend Joe to come live with them, Bethan assumes that another pair of hands will help rather than hinder … or is she being a bit naive?

Pre-order links: Amazon US; Amazon UK; Smashwords. Also available as a pre-order via Apple, Barnes & Noble, and Kobo.

ESPRESSO SHOTS is an informal imprint which features long stories and novellas. If you want to read more about this imprint, please check out our blog post. The cover image is the same for all titles, so we chose an image that evokes the comforts – and the stimulations – of the reading experience itself.


We are absolutely sure you’ll find something – or many things – for your reading pleasure here!