The exceedingly Clever Baggers sponsoring Queer Company 2!

Queer Company iconA guest blog post
by Sandra Lindsey
author of UNDER LEADEN SKIES

Everyone loves a freebie, don’t they? Obviously, the prospect of a goodie bag isn’t the only reason delegates look forward to book-related festivals and conferences, but it certainly doesn’t hinder one’s enjoyment to return home with a quality, reusable souvenir which will make you smile with memories of the event.

Last year at Queer Company, we had very useful folders stuffed with interesting info and a fun anthology of short stories set in Oxford. This year, we have something a little different, and it’s all my fault…

You see, I have a personal connection to a company which specialises in printing eco-friendly cotton bags (among a whole host of other products, but the bags are where it all started). They’re called The Clever Baggers, they’re based here in the UK, and they offer a rainbow of different coloured cotton bags. At the Manifold Press AGM, I offered to ask if the company would be willing to sponsor Queer Company 2 by providing bags for us to fill with goodies and give out to all attendees.

They said yes!

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I was lucky enough to be in the building the day our bags were printed, so I snapped a few photos of them being produced on the digital printers. I’ll try not to bore you with the technicalities, but for a variety of reasons, printing onto textiles is very different to printing onto paper. If you’re printing onto coloured (dyed) cloth, there are even more complications, and being able to do this digitally, i.e. directly onto the fabric by machine controlled by a computer, is a far more recent development than most people expect. In this instance, the machine applies a pre-treat to the bag, then prints a base-layer of the image in white, then prints the full colour image on top of this. All of the substances used in the process are water-based to make both process and product as eco-friendly as possible.

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I was very impressed by the end result, and hope you will be too!

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Everyone at Manifold Press HQ is certainly thrilled at the gorgeous results. We set The Clever Baggers a bit of a challenge with an event logo that looks lovely online but might not print very well. They’ve done us proud, though, as I’m sure you’ll all agree.

There are a very few tickets left for Queer Company 2. Do please join us if you can!

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Manifold Press in the Rainbow Awards 2016

Yesterday was a mighty fine day for the Press. Not only did we announce three new titles – each of which we’re rather excited about for various reasons – but we also found out that two of our earlier titles have earned themselves Honourable Mentions in the Rainbow Awards 2016!

Before we get into the details, though, I’d just like to add that for the first time, the Press has entered our book covers in the Rainbow Awards’ Best Cover contest. We’re proud of our new designs, courtesy of Michelle Peart, and we wanted to say that loud and clear.

The Best Cover contest is decided by popular vote, so do drop by and have a look at all the beauties on display. The only rule is that you have to vote for at least three covers. Somehow we don’t think you’ll have any problems finding enough to vote for … Indeed, Miss Bates was relieved to hear that this time there would be no difficulty, and she will not be limited to only three at once.

That link again: elisarolle.com/rainbowawards/covers.php

So, on to the Honourable Mentions!

IN DEEPFirst mentioned (honourably) on Elisa’s blog was IN DEEP by the always reliable Adam Fitzroy. Not one but three of the judges were very impressed!

1) Plot was a bit slow to get moving, as the reader doesn’t learn the protagonist’s goal/agenda for far too many pages, imho. Once that comes out, the stakes are clear and this complex “isolated village” story lights up. The fierce setting is a major character in the story, literally a force of nature. The nuanced and believable main characters are well drawn in a writing style both dense and elegant, especially the protagonist. I thoroughly enjoyed this poignant, measured, thoughtful read. A very satisfying mystery.

2) This was a carefully constrained story, unfolding step by step as the protagonist searches for answers in the death of his step son. Fitzroy does a beautiful job creating a world isolated both geographically and emotionally, the characters are roughly hewn from the landscape and finely detailed and nuanced in character so that everything, every step the protagonist takes, seems compelling and inevitable, and the love affair realistic.

3) I loved the writing style and the realism of the book. It was slower moving, but highly entertaining.

ACROSS YOUR DREAMSAnd then Jay Lewis Taylor was (honourably) mentioned in dispatches for ACROSS YOUR DREAMS – this time by four judges!

1) What a beautiful book! It is full of vivid imagery, well-drawn and unique characters, and the story–oh, so heartbreaking but yet appropriate for the times. War is hell, and it took its toll on the young men caught up in it. I felt like I was there with Alan, Lew and Russ, experiencing what they did right alongside them. I reveled in their stolen moments together with their beloveds, and cried for their devastating losses. This story will definitely stick with me for a very long time. I loved it. All the points.

2) I awarded top marks to this book because I thoght the writing was exceptional. I was transported back in time to the Great War. The sense of time and place were outstanding. The language of the book perfectly fitted the setting and the lives and opinions of the characters all felt true to time and place. An exceptional read.

3) This is a convincing, well-researched historical novel about a very closeted network of gay men who don’t have access to a community of like-minded people. The homophobia of the surrounding society is extreme, and so is their anxiety about sexual contact with other men, including kissing. The drama of warfare and the great flu epidemic, which together destroyed millions of lives, all seem true to life, and they could hardly be exaggerated. As a historical novel, this book is a solid achievement.

4) Touching and tender love story. A very real sense of the time and place. Excellent story.

Needless to say, we are very proud of these responses for two very fine books. Thank you kindly to Elisa Rolle and her team of judges for the honourables!

Announcing three new titles today!

These are exciting times at Manifold Press! On 1 November 2016 we’re not only launching our New Adult imprint – introducing fascinating debut novels by two very talented writers – but also bringing to fruition a long-cherished anthology project featuring modern LGBTQ+ fiction inspired by the novels of Jane Austen.

A CERTAIN PERSUASIONA CERTAIN PERSUASION showcases thirteen stories by eleven authors, each of which takes something of Jane Austen’s as its source – and from that point on nothing at all is certain. We meet compelling reinterpretations of canonical characters such as Elinor Dashwood, William Elliot, Emma Woodhouse and – of course! – Fitzwilliam Darcy, and are also introduced to new ones who will linger in the memory – Adam Ashford Otelian, Robert Oakes and the enigmatic Lint, to name but a few. For anyone who has ever ‘thought beyond the page’ about Jane Austen’s work, this book is a real goldmine of intrigue and adventure. (And you will also make the close acquaintance of Mr Beveridge’s Maggot – really, need we say more?)

The authors include some familiar names and some new to the Press: Julie Bozza; Andrea Demetrius; Sam Evans; Lou Faulkner; Adam Fitzroy; Narrelle M Harris; Sandra Lindsey; Fae Mcloughlin; Atlin Merrick; JL Merrow; and Eleanor Musgrove.

SUBMERGEIn SUBMERGE by Eleanor Musgrove we meet Jamie, wandering innocently into the web of friendships and intrigues that surround a popular local club. Soon accepted as one of the ‘family’ he finds himself beginning to fall for manager Miles, but events occur which make him very reluctant to trust either the new man in his life – or, indeed, anybody else around him.

 

TO THE LEFT OF YOUR NORTH STARTO THE LEFT OF YOUR NORTH STAR by Michelle Peart takes us to the unfamiliar world of Abaytor, where Edward and his new friend Burn are thrown headlong into a series of adventures and perils in the course of an extraordinary river journey – one which will leave them both profoundly changed, and also looking for answers to a greater mystery.

Researching B.W. (Before Wikipedia)

THE WALLED GARDENAn author guest blog
by F.M. Parkinson

When I wrote the original version of The Walled Garden, personal computers didn’t exist and the internet was a thing of dreams.  So what was it like then, researching and writing a novel?  How did it differ from researching and writing a novel today?  I had no easy access to information except through libraries and I didn’t live anywhere where there was a large library with a good reference section and a wide-range of stock on its shelves.  How could I find out what I needed to know, having set the novel in the England of the 1850s?  Books were certainly the answer but how could I get hold of ones with relevant information?

Above anything else, style was very important for the writing.  I didn’t want to write in the way I’d done short pieces up till then.  They were modern and reflected up-to-date language and pace.  I needed to know how people spoke to each other in the 1850s (at least in novels), as well as the sort of style an author used in writing a story.  Therefore I read novels published at that time, titles long forgotten these days, but still to be found quite easily then in second-hand bookshops.  I got the feel of the pace of the stories, the words used and the way in which authors used them.  Both the plots and the language used made me very aware of the class differences that existed at the time and how outwardly rigid society could be.  So I adopted the far more measured pace that novel writers used, and adapted their style to suit my own story.  The Walled Garden deliberately does not rush through the development of the plot or the relationship between Hillier and Ashton for that very reason.  As for the language used, I would refer back to the books of the 1850s if I was concerned as to whether a particular word or term was used then, or how words would have been phrased.

But I still needed a vast range of information.  I read up about the law concerning homosexuality (only it wasn’t called that then) in 19th century Britain, particularly the law as it stood in the 1850s.  Quite different in some ways from the earlier part of the century, as well as from the difficulties Oscar Wilde was later to be faced with.  I read about Victorian attitudes to sex.  Not just the public attitudes but those expressed in diaries and letters and certainly never intended for the public eye.  It became obvious that people in Victorian Britain were just as uninhibited and passionate as anyone today but they kept their behaviour far more private.  And how did I find the books I needed to discover such information?  By visiting the local library, checking its card catalogue, looking on the shelves to find books that might give me information, then looking through the bibliographies at the ends of the books for other titles that sounded as though they might be useful, and which I could borrow through inter-library loans.  It was a slow process.  One book took months to arrive and when it did, they had sent me the wrong volume (the library’s fault, not mine).  The relevant volume arrived in record time!

Looking back through my research notes, I have details on men’s clothing: their outer clothes, depending on their status in life; their underwear (it was amazingly difficult to find out what the 1850s man wore under his trousers); the hats they wore; their general appearance.  I have information on Victorian society of the time.  I found out about Victorian servants, their jobs, and the hierarchy that existed in households.  There are notes on bathrooms and plumbing in 19th century houses, on gardens and gardening, and flowers and plants that would have been grown at that time.

In libraries I found books that had photographs of London in the 1850s, including the parliament buildings and street scenes and houses to be found in the capital.  I came across articles on London life, and information on railway journeys and railway stock.  I read up about the Australian gold rush of the 1850s, and found out about illnesses that were common in Britain then and what sort of treatments were given to those who could call on a doctor for help.

I also wrote to museums and societies for information.  I have a letter from the Merseyside Maritime Museum giving me details about emigration from Liverpool to New York and which docks the ships sailed from, as well as listing books that I might find to be of use.  The National Railway Museum in York supplied me with details about Waterloo Station.  I wrote to the House of Commons Library when I realised that parliamentary sessions of that period did not begin and end at the times they do today, and they gave me precise dates for the years I needed, as well as information on the buildings associated with Westminster.

I was given recipes and details of foodstuffs that an invalid might eat, as suggested by Mrs Beeton.  I discovered newspapers from the 1850s in a very rundown second-hand bookshop, and they contained advertisements for servants for a variety of work and which was exactly what I needed.  I bought and studied plans of the Liverpool docks at that period and postcards of paintings of them.  Articles from The Illustrated London News, obtained through inter-library loan, were a mine of information on emigration and the whole process of leaving the country.

The house where I had set my story was then open to the public (it no longer is).  I visited it on a weekend away to that part of the country and was able to look at its layout and grounds, including an old walled kitchen garden.  I looked at plans and old photographs of the place, available from books on country houses and in guidebooks.

All this took some years (including several house moves and changes of job) and it was a case of constantly looking for information and checking what facts I could glean from the various sources.  Everything was typed up on a manual typewriter with carbon papers between several sheets for copies.  Insertions and additions meant pinning pieces of paper to the pages, or cutting up typed pages and rearranging where I wanted the text to go.  Amstrads were available by then but I certainly couldn’t afford to own one.  Compared with today’s ease of altering and amending text, it seems something of a marathon.

Would it be different today, now that the internet is available at the click of a mouse or a tap on a screen?  There is a vast amount of information ‘out there’ and it would certainly be easier to find out some of what I needed to know, as well as in contacting various museums and societies through email, rather than having to compose a letter and post it and then wait for ages for a reply.  I would be able to track down useful books and possibly a greater range of books than I could through looking at their bibliographies.  My library service now gives me access to encyclopaedias and the full Oxford English Dictionary, with updates, which would have been very helpful when deciding what words were appropriate for the 1850s and which were far too modern.

But not everything is on the internet and not everything on the internet is accurate, as we all know.  I still find in my current work that I usually have to go back to books for detailed information on a particular subject.  The internet cannot help me.  And details can make all the difference to a story.  However, I think we now have the best of both worlds.  When I came to revise the story for publication, the internet proved very helpful when I needed more photographs and descriptions of places and settings which I had not thought about before, so I was able to amend some details in the text (as well as taking editorial advice and cutting down on a cast of thousands, and rewriting the story in places).  But overall, the work I did originally was not negated by anything I found out during the revisions.  All the ways I used in order to do my research were of great help.  It’s perhaps just a little less complicated these days.

Introducing our New Adult imprint

Manifold Press is delighted to announce that we’ll soon be launching a New Adult LGBTQ+ imprint. We’ll have more news on specific titles soon, but in the meantime we want to talk about our approach to New Adult stories.

What makes a story ‘New Adult’?

New Adult womanThe main characters are between 18 and 30 years old, and the story is told from their point of view.

The focus is on the characters emerging from childhood into adulthood. This is, of course, never an easy, smooth or neat transition. Ideally, authors will approach such material both realistically and responsibly (though there’s nothing wrong with an entertaining read, with a ‘lesson learned’ about the importance of fun).

Within that broad scope, New Adult works might include:

  • Characters mapping their own lives. Becoming more independent. Dealing with increasing responsibilities. Becoming of ‘legal age’.
  • Changes in perspectives. Achievement of insight. Greater awareness of self and others.
  • Leaving the family home. Relating to their parents (and siblings) as adults rather than as children.
  • Negotiating the unfamiliar worlds of college or work.
  • Relationships of all kinds; friendship and love. Issues of identity, including gender and sexuality. Perhaps starting to think about marriage and children of their own.
  • ‘Coming of age’ experiences. Growing from innocence to experience.
  • What do they keep? What do they jettison? What do they change?

New Adult man‘New Adult’ is a category that can combine with any genre or subgenre: contemporary fiction, romance, historical fiction, science fiction, fantasy, horror, paranormal, and so on.

Readers will often be of the same 18-30 age group, although both younger and older people happily read NA.

Given that the target audience and the characters are of legal age, then explicit scenes can be included.

The Manifold Press way!

The Press’s approach is always that sex scenes (if any) should suit the style of the story, and serve the character or plot development. The same approach applies to ‘strong’ language, violence and other possibly controversial matters.

We know that there are a few negative connotations associated with the New Adult category, but we will be delivering what we trust you’ll always find with Manifold Press: a darned good read with quality stories and interesting characters.

Readers, we hope you’re looking forward to what we’ll soon be offering!

Authors, please feel free to submit your New Adult (and other!) LGBTQ+ manuscripts to Fiona Pickles at eaditter@manifoldpress.co.uk. We’d love to hear from you!

And we’d like to finish this post with the thought that it’s particularly important to try to represent the whole glorious LGBTQ+ spectrum in this imprint’s stories. Fair winds and good fortune to all who sail in her!


Illustrations from GraphicStock.

Elin Gregory’s Signal Boost blog tour!

EleventhHour-blogtourgraphic

We’re delighted to announced that Elin Gregory is off on another, more extensive tour as part of launching her charming novel, ELEVENTH HOUR. Today you can find her with the kind peeps at My Fiction Nook.

Do follow her about! Her articles are always worth reading, and she’s organised a cool giveaway as well.

Manifold Press paperbacks

The Press doesn’t issue paperback editions of all our titles, as the decision to do so is driven by the individual authors. That being said, we’re delighted with the twenty titles that have made it into print thus far! There are new ones on the way, so it seemed to be a good time to take stock of what we have so far.

A veritable rainbow of books from Manifold Press!
A veritable rainbow of books from Manifold Press!

Our current paperback titles are listed here, along with Amazon US buy links:

The Apothecary's Garden paperback coverAlways With Us by Morgan Cheshire

The Apothecary’s Garden by Julie Bozza

Between Now and Then by Adam Fitzroy

Butterfly Hunter (#1) by Julie Bozza

Of Dreams and Ceremonies (Butterfly Hunter #2) by Julie Bozza

The Thousand Smiles of Nicholas Goring (Butterfly Hunter #3) by Julie Bozza

The Butterfly Hunter Trilogy (incorporating all three novels plus the free short story Like Leaves to a Tree) by Julie Bozza

Dear Mister President by Adam Fitzroy

Make Do and Mend paperback coverThe Definitive Albert J. Sterne (incorporating the novel and the stories published separately in the eBook Albert J. Sterne: Future Bright, Past Imperfect) by Julie Bozza

Ghost Station by Adam Fitzroy

Homosapien … a fantasy about pro wrestling by Julie Bozza

Make Do and Mend by Adam Fitzroy

Mitch Rebecki Gets a Life by Julie Bozza

A Pride of Poppies Modern LGBTQIA Fiction of the Great War – anthology including stories by Julie Bozza, Barry Brennessel, Charlie Cochrane, Sam Evans, Lou Faulkner, Adam Fitzroy, Wendy C. Fries, Z. McAspurren, Eleanor Musgrove and Jay Lewis Taylor

A Pride of Poppies - paperback coverRavages by R.A. Padmos

Solemn Contract by Morgan Cheshire

Stage Whispers by Adam Fitzroy

A Threefold Cord by Julie Bozza

The ‘True Love’ Solution by Julie Bozza

The Valley of the Shadow of Death by Julie Bozza

We hope you’ll enjoy these paperback editions and – like us! – are looking forward to more titles coming soon.

Spies and Blackguards!

Eleventh Hour by Elin GregoryAn author guest blog
by Elin Gregory

Spies are fascinating. From the earliest times there have been men and women who risk their lives by sneaking into enemy territory to try to see what’s going on there and establish how much of a threat there is. There are even spies mentioned in the Bible, reconnoitring before invading Palestine and establishing a safe house in Jericho. The Romans had their speculators, men who could sound out possible supporters in territories ripe for annexation and spy on enemy forces. Sir Francis Walsingham had an enormous network of spies in the 16th century, and the European powers cultivated promising young officers who might prove to be good players in The Great Game.

But it wasn’t until the 20th century that anything like a formal secret service was established in the UK. Partly this was due to a lordly assumption that the Brits didn’t NEED to spy, they were just that good, but it was coupled with a very damaging attitude that spying was ‘not playing the game’ and that we shouldn’t stoop so low. Between 1900 and 1909 a series of intelligence disasters, including the discovery of a very highly placed German mole in the Foreign Office finally convinced the powers in charge that some kind of overview was needed. Army intelligence didn’t speak to Navy and the fledgling air force reported to whoever it felt like. Someone needed to draw the threads together. A small room in the War Office, designated M05, was allocated and two Captains, one of the Staffordshire Regiment, invalided out of service due to his ill health and the other from Naval intelligence, were asked to form a formal Secret Service Bureau. Not a promising start yet they outstripped all expectations.

Captain Vernon Kell
Captain Vernon Kell

Plagued by illness from strenuous service, Captain Vernon Kell had served all over the world and absorbed languages like a sponge. He had a formidable intelligence that didn’t hesitate to use whatever means were available to fool the enemy. He even employed criminals, even ones in jail, to produce what is now called disinformation, sending out forged letters with inaccurate figures via the foreign powers’ own ‘letter boxes’.  He was also sensible enough to involve the police and worked with Scotland Yard to bring foreign spies to justice.  His organisation eventually became MI5.

Madison Smith-Cumming
Madison Smith-Cumming

Kell’s opposite number, head of the infant MI6, was Madison Smith-Cumming, later known as C. He was an incredible character in his own right. He had a monocle, walked with the aid of a swordstick and had his own personal tank. His wooden leg became a secret service legend, as he never told the same story of its loss twice.  Amongst other versions, he claimed that during a high speed chase he crashed his car and had to cut his own foot off with his pen knife to escape before he was caught by the enemy. But it is on record that he used to like to test the nerve of prospective spies by taking them out in his car and seeing how well they coped with being a passenger. He also used to startle people in meetings by stabbing himself in the wooden leg with a paperknife.  With such an original at the helm it’s no wonder that there was a ramshackle, ‘make it up as you go along’ vibe to many of their operations. C had to use whoever volunteered and while some were genuinely talented patriots others were venal or fools. “All my men are blackguards!” he complained after one spectacularly failed mission.  But they did enjoy some success and he encouraged technical innovation.

concealed weapon

Concealed weapons, waistcoat button cameras, even exploding pens were possible.  His men were also encouraged to improvise. Far from home and out of touch with their handlers, there would be plenty of times when they ran out of supplies and had to make do with whatever was to hand. For instance, C delighted in the discovery that semen makes an excellent invisible ink! However after a year or two of enthusiastic use – every man is his own fountain pen was one of his sayings – he had to recommend that it only be used with caution because the recipients of the notes complained of the smell.


If you are intrigued as we were to read Elin’s tale set in and around the British Secret Intelligence Service, do check out her novel ELEVENTH HOUR. It’s a cracking good yarn!

Elin will be off on a blog tour from Monday 22 August, during which she’ll be offering a giveaway of a backlist book plus a $10 gift card. We’ll post the links once they’re available.


Image sources:

  • Vernon Kell from the MI5 website.
  • Madison Smith-Cumming from a Daily Mail article (sorry).
  • The concealed weapon was from a now defunct eBay auction.
  • The photographers were unattributed at the source.

Elin Gregory’s blog tour

Eleventh Hour by Elin GregoryElin Gregory has been celebrating her very well-received new title ELEVENTH HOUR with a blog tour. Please do drop by and share the love with Elin and the lovely bloggers!

Elin will be conducting another, more extensive tour soon, so stay tuned!

Meanwhile, if you want to read about what we got up to during our New Release Q+A on Facebook, celebrating Elin’s book and also Sandra Lindsey‘s UNDER LEADEN SKIES, check out our blog post!

New release Q+A!

The Press held a Q+A event on Facebook yesterday evening, in honour of new titles ELEVENTH HOUR by Elin Gregory and UNDER LEADEN SKIES by Sandra Lindsey. Unfortunately just as we got going, I realised I had mistakenly set up the event as private rather than public. As punishment, I have had all Cheesecake Privileges revoked until the end of the month. {woeful wail}

Meanwhile, I thought I’d copy across some of the more pertinent questions and answers. These are all from people who generally interact with us in public forums, and they are about (relatively) uncontroversial topics – but if there is anything that people would like removed from (or indeed added to) this post, please let me know!


Manifold Press: Hey everyone, how are we all? Welcome to our new release Q&A! Congratulations to Sandra and Elin on the publication of their new titles, both of which are making quite a splash with the readers!

Elin Gregory: Many thanks, Manifold. 🙂 How’s the test match going?

Manifold Press: Decently, thanks; looking at a possible declaration and setting Pakistan a target for the final day. Consensus seems to be that a draw is inevitable, depending on the weather …


Eleventh Hour by Elin GregoryManifold Press: We’re getting a lot of positive comment about the covers, both of which are absolutely spectacular. Creating covers is always a bit challenging, but this time I think our art team totally ‘knocked it out of the park’!

Tigg Cooper: Oh definitely, they’re gorgeous!

Manifold Press: I think we were extraordinarily lucky in being able to source such brilliant images – but that’s all down to hard work and diligence (and a certain amount of persuasive power) on behalf of our artists!

Elin Gregory: Super covers. And I really wish I could paint water like that.

Anna Butler: The covers are lovely.

Jay Lewis Taylor: Congrats to Shell.


Tigg Cooper: Oh, for anyone who doesn’t know, I’m Sandra Lindsey 🙂 Haven’t yet set up a FB account in my author name…


Under Leaden Skies by Sandra LindseyElin Gregory: I’ve got a question for Tigg / Sandra about Under Leaden Skies. Why Sunderlands? Why not one of the better known aircraft?

Tigg Cooper: Oh, that’s a long tale, with many different versions….

….I saw a Catalina (American flying boat) in RAF Museum Cosford, decided I wanted my airman to be a flying boat pilot, because I’ve always been rather intrigued by them myself, not having been around at the time they were operating…

…but then I found that Catalinas entered service quite late in the war, but there was another kind of flying boat, called a Sunderland, which operated for the whole war, giving me more flexibility with when the story could be set – and once I found there’d been some based at Pembroke Dock, it seemed reasonable that an airman based there could easily visit a ‘friend’ who was a miner in the South Wales valleys.

Of course, that’s not the part of their relationship I ended up writing about though!

Manifold Press: Did the RAF actually use Catalinas? I wrote some fan fiction once featuring a PBY Catalina …

Tigg Cooper: Yes, RAF Coastal Command used Catalinas – with their foldaway wheels, they’re more of an amphibious craft, whereas Sunderlands are “true” flying boats

Elin Gregory: Pembroke Dock, wow. I didn’t know that.

Manifold Press: They had mini-subs at Pembroke Dock, too IIRC.

Tigg Cooper: There’s a Sunderland on the bottom there still, which a group is raising money to try & recover & restore…

Continue reading “New release Q+A!”